Founded in 1981, BOMB Magazine is dedicated to delivering the artist's voice. BOMB includes a print quarterly magazine and an online daily publication. In addition to conversations between artists of all disciplines, BOMB publishes original works of fiction, poetry, and translation.
BOMB hosts an annual literary contest, alternating between fiction and poetry each year, with a distinguished guest judge.
We encourage submissions of adventurous work that push the boundaries of form or content in some way. We open for general submissions on occasion. Please sign up for our newsletter for more details.
Before submitting, we encourage you to read the magazine, online and in print, to acquaint yourself with the material we have published. Subscriptions to BOMB are available here.
BOMB will open for submissions on November 18. We are currently looking for fiction, essays, and graphic narratives. We will accept submissions through December 1 or until we reach our limit of 500, whichever comes first. This is due to our small staff and the attention we wish to contribute to your work.
Guidelines
- Opening for fiction, essays, and graphic narratives.
- Only one submission per person regardless of category.
- Please refrain from submitting if your work has been published by BOMB in the last three years.
- Simultaneous submissions are accepted, but please notify us if the submission is accepted elsewhere.
- There is no fee to submit.
- BOMB offers a $125 honorarium for literary contributions to our website and a $250 honorarium for contributions to our print quarterly—all pieces accepted for print will also appear online.
- Response time: Six to eight months.
What we're looking for
We are only considering previously unpublished work up to 5,000 words for prose and 4–11 pages for graphic narratives. We are particularly interested in essays on the creative process, and the intersection of criticism and practice, such as:
- Annotated performance documentation
- Visual essays combining text and image
- Process documentation with critical commentary
- Where artists become critics and critics become artists
- How critical discourse shapes studio/rehearsal practice
- The documentation and analysis of process-based work
The best way to see what BOMB publishes is to read some recent work. All of the examples below are currently available to online for free.
Fiction
- "Four Stories" by Kevin Brockmeier
- "The Future Is a Click Away" by Allegra Hyde
- "Alternate Histories of El Salvador or Perhaps the World" by Ruben Reyes Jr.
- "Rendezvous" by Lydia Yuknavitch
- "West Cemetery" by Alejandro Zambra
- "Little Beast" by C Pam Zhang
Nonfiction
- "Liturgy of the Name" by JJJJJerome Ellis
- "Does Abstraction Belong to White People?" by Miguel Gutierrez
- "Butch Blow Job" by Jenny Johnson
- "We Loved It All" by Lydia Millet
- "Come to My Window" by Jean Vacarro
- "Exodus 2020" by Emily Raboteau
Graphic Narratives
- "Environmental Comics" by Aidan Koch
- "Sample" by Meg O'Shea
- "Arc" by Anuj Shrestha
- "Roshambo" by Ronald Wimberly
What we're not looking for
- At this time, we are not looking for interviews, reviews, or pitches. All submissions should be finished and ready for publication.
- No profiles, essays about individual artists, interviews reframed into narrative form, or poetry.
Thank you for sharing your work with us!
Thank you for your interest in submitting to BOMB Magazine. Because we are a small organization with an even smaller editorial department, it often takes time to read and respond to our submissions. We appreciate your patience.
BOMB Magazine is a nonprofit, independent publishing house. Since 1981, we have been spotlighting artists in conversation and offering unique insight into the creative process.